Last Thursday, I had the opportunity to speak to 150 arts teachers, ICT heads, administrators and a handful of industry specialists at the AQA Creative Education Conference in Birmingham, UK. We were 3 key-note speakers: Tim Lindsay, the CEO of D&AD -- an education charity that promotes excellence in design and advertising; Andrea Robertson, Director of Customer Operations at UCAS -- the organization responsible for managing applications to higher education courses in the UK; and me, a researcher on the Digital Education Team at Nesta -- the UK's innovation charity. Tim gave a great industry perspective about what professionals are looking for in potential hires, and Andrea shared statistics on student interest and qualifications in arts offerings, so I decided to focus on digital tools (websites and activities) teachers can incorporate in their classes to bring together the arts and technology. I was hoping attendees would tweet to share ideas with their networks, but after a full day of speeches, panels, round table discussions, and Q&As, there were only 6 tweets, 3 of which were retweets of the 2 I contributed. To me, this represents a huge gap between the digital tech we think teachers are using, (it's thought that teachers use Twitter a lot), and what's really going on. When I kicked off my speech with a short online poll using socrative.com, only 34 of the 150 attendees participated; if this were just because they didn't want to answer my question, that would be fine, but I heard some people saying they'd left their phones in the coat closet so as not to be distracted. That cell-phones -- especially smartphones -- are still being viewed as distractions is worrying indeed.
More importantly, it became quite clear that there is a huge gap between what the creative industries are looking for in candidates, and the skills on which schools and exam boards are focusing. Tim talked about how the creative industries in the UK earn £36 billion a year, making up 10.6% of exports, and yet they're constantly under threat from the government in terms of cuts and tax hikes. Andrea shared numbers on how interest in arts courses (represented through applications for the GCSEs and other exams) has been declining, while applications for STEM courses has increased, no doubt due to the worldwide importance placed on math and sciences. She spoke critically of coming curricular changes, saying that major reforms were being made without any piloting program or evidence to support the shift, and the declining interest in the creative and artistic subjects was sure to negatively influence the future of the creative industries.
A large part of the problem, I believe, is that while industries are integrating, education is becoming more siloed. We continue to measure a country's education standards by looking at individual math and literacy exams, like the TIMSS and PISA, and not at how students are able to apply these studies to future jobs. Both the US and UK are heavily pushing for intense STEM programs while cutting back on the arts and even taking away recess. We're no longer cultivating well-rounded people, but rather raising generations of slow-computers; instead of encouraging the skills that separate us from the technological tools we use, we want kids to do mental math faster. The danger is that there are more jobs that require excellence in math and physics, as well as in art; we're doing a disservice to many of our kids by narrowing their future prospects through concentrating so hard on a few topics.
So the question is, how do we better communicate the professional industries' needs to the education sector, and vice versa? There was a gentleman at the conference who shared his complaints about how the incessant need for accreditation by the education sector was shrinking the pool of usable products, when in reality there is a plethora of fantastic tools. One can understand this man's perspective, but industries must also understand the very real need for ensuring high standards for what students are exposed to. This doesn't mean that the existing process is the best, but we must provide a viable alternative rather than complaining. Susan Bowen, Hewlett-Packard's Chief of Staff in the UK and Ireland, talked about how there is a lack of people who have the skills to fill the jobs available today. To mitigate this, HP employees are now volunteering a few hours a month at schools, helping students and teachers gain a better grasp of the technology side of things. This focus on the "Employability Ecosystem," their term for bringing together educators and industry professionals, is an honest start, but should we rely on a few hours a month to change the relationship between schools and companies? The good news is that things can only get better. I think attitudes on all sides of the equation have to change; industries shouldn't wait until university to approach young people, and school shouldn't be satisfied with a career day, when parents talk about what they do at work, to expose students to the world beyond school. Both industries and schools should strive to be more porous, and build a creative way to get kids excited about contributing to society. We should encourage young people to create and share -- I love those YouTube tutorials, which are sadly behind firewalls at schools -- and focus less on using and consuming.
I found the mix of speakers and audience quite perplexing; it seemed that the teachers were interested in what was being shared, but only superficially. Even though I tried to share ideas about activities that could be used in the classroom, I got the feeling that the audience thought, "that's cool, but it's not for me." Finding the right streams for conversation will be a challenge.
Tuesday, March 19, 2013
Tuesday, February 26, 2013
Assessing is Sharing
In response to last
week’s post, @Carloper posed some great questions:
what “mastery” are we measuring? If kids are learning in a more open
environment, why do we insist on assessing them in a closed, traditional way?
I hated giving tests. It didn’t seem
natural to have a room full of silent teenagers, and I spent my evenings squinting
at their chicken-scratch handwriting in a classroom cluttered with papier-mâché
mummies left over from the Ancient Egypt unit. I cherished any opportunity for student
presentations, both to get them comfortable with public speaking and to experience
being informative to peers – it also meant peer evaluations and drastically
reducing my grading load. Science fairs and research expos were my favorite; students
explored each other’s creations and asked questions about processes. Although
my school was extremely conservative (teachers and students wore uniforms, and
“inspectors” monitored student behavior and reported to the “general
inspector,” the school disciplinarian, by whom I was constantly berated for
taking my biology class outside), I probably could have incorporated more creative
methods of assessment.
Turning again to Aaron Sams, we see
that recent iterations of flipped learning incorporate process oriented guided inquiry based
learning (POGIL) and promote a meta-cognitive
element of “learning about learning.” POGIL’s roots are in chemistry, but it can
be applied to other subjects because it focuses on process skills like
collaboration (learning with others) and expressive writing. Since “whole education”
is a major focus these days practicing the scientific method in history class
would be fantastic. POGIL starts with a piece of information and some guiding
questions, and has students use the scientific method to reach a conclusion.
The more general the initial piece of information and the more open the guiding
questions, the greater breadth and depth the students explore. And remember,
this doesn’t have to start in the classroom!
“Sharing”
Now, if we’re asking students to learn
in groups and generate questions they then answer, it’s only fair to assess
them in the same way. This is where the meta-cognitive aspect comes into play:
students become more aware of what they know and what they don’t know when they
have to share. We need a paradigm-shift here, as it would no longer be teachers
assessing students, but rather students sharing what they’ve learned; we should
call assessment “sharing.” Sams gives his students a choice in sharing their
learning; they can take a test that he designs, or they can create their own way
of showing their understanding and applying what they’ve learned. He’s had
students make computer games and design art projects; as long as they can show
that they’ve reached proficiency of a standard, Sams doesn’t mind what form the
sharing takes.
You see, flipping isn’t another method
to deliver content; it’s about empowering students in their learning – it’s about
having students learn from each other and be curious about the world around
them. Teachers provide a framework, and have students practice skills like
deconstructing complex problems and applying smaller units of information to
other problems. As a science teacher, Sams has students use programs like PhET
(research-based interactive computer simulations), and Wolfram|Alpha
(an online answer engine for computations), and even gives tests where students
have open access to the Internet – just knowing how to Google isn’t enough; one
must be able to filter the answers to find what best serves them. It’s the
skill of knowing to access information when you need it.
Assessment
Expression
What I find more interesting than types
of assessment is how teachers express assessment. Most teachers grade on a
scale of points, usually 10 or 100, and we express these with corresponding
letters (A-F), sometimes with plusses and minuses to give even more wiggle room.
We say our grading is uniform because an A means excellent and a B is
satisfactory, after which come differing levels of unsatisfactory until you hit
failure. What does this mean when we’re talking about proficiency in standards?
Using these flipped tools allows for standards
based grading (SBG) where it’s not about
points, but rather about whether or not the student has proficiently met the
standard. The culture around grading would have to change, since the goal would
be to get all students in the A or B range.
I think more teachers should take on
the role of researcher, and try out new methods; after all, flipped learning
started in a classroom. The learning about learning element should become part
of teaching culture; you don’t know what you don’t know until you question. Of
course, this always brings in the argument that students shouldn’t be guinea
pigs, and that just 2 years of exposure to ineffective teaching can heavily
affect student achievement. As researchers, teachers would have the
responsibility to evaluate and change their methods as rigorously as they expect
change and growth from their students. Seems fair.
As part of the Digital Education team, I'm
looking at the philosophy, practice, and technology behind 'flipped
classrooms'. Future posts will touch on evaluating existing products,
implementation experiments, and other topics. Over the course of my flipped
journey, I invite commentary and discussion on this practice. Please comment
below or email me at Melissa.Romaine@nesta.org.uk.
Tuesday, February 19, 2013
What the Flip?
Flipped Classroom
In my first official teaching job I was a swimming teacher for kids aged 4-12 at a summer program in Japan. Terms like “classroom management,” “student-centered learning,” and “collaborative learning” did not exist in my vocabulary, and “flipping the class” meant doing somersaults underwater. Discipline was never an issue, and homework was competing with friends to see who could hold their breath the longest. I didn’t know it as such then, but differentiated learning was everywhere: some kids practiced standing dives into inner tubes or showed peers how to start by kneeling, while beginners focused on getting comfortable in the water (“it’s just a big bathtub!”). I was either in the water encouraging kids to jump towards me, or jumping in to scoop up kids who ran out of steam mid-lap.
As part of the Digital Education team at Nesta, I'm researching the philosophy, practice, and technology behind "flipped learning." I'll be writing a series of posts in a blog on their site defining, discussing, and asking for questions regarding the practice. If you have an experience, opinion, or question about flipped learning, please share!
In my first official teaching job I was a swimming teacher for kids aged 4-12 at a summer program in Japan. Terms like “classroom management,” “student-centered learning,” and “collaborative learning” did not exist in my vocabulary, and “flipping the class” meant doing somersaults underwater. Discipline was never an issue, and homework was competing with friends to see who could hold their breath the longest. I didn’t know it as such then, but differentiated learning was everywhere: some kids practiced standing dives into inner tubes or showed peers how to start by kneeling, while beginners focused on getting comfortable in the water (“it’s just a big bathtub!”). I was either in the water encouraging kids to jump towards me, or jumping in to scoop up kids who ran out of steam mid-lap.
When I became a classroom teacher in Ecuador I wanted to
keep the peer-learning attitude I’d seen in my swimming classes, so the first
thing I did was put everyone in groups. Actually, the first thing I did was
accidentally threaten to kill my students if they were tardy; there’s a funny story
about that. After I assured my students that I wouldn’t be hacking them to
pieces, I laid out the plan for the academic term: by the end of the term, each
student would give a presentation about some aspect of X. To get there we’d
cover certain topics and do activities in class, but they had to do the reading
and think up questions for homework. How many of you had to read at home and
come to class with questions? This is the main idea behind the “flipped
classroom.” For something that’s billed as revolutionary, it has a simple
foundation.
Different Flips
To be clear there’s no “right” way to flip a classroom, and
there are different stages of flipping. Aaron Sams, a high school
chemistry teacher and one of the driving forces behind the flipped philosophy,
describes the 6
versions that he’s gone through since he first started, but let’s start
with two.
What many understand to be THE flipped classroom is having
students listen to pre-recorded lectures at home, and then come to class
prepared to tackle worksheets and participate in analytical discussion. This
way the teacher can answer questions about the topic at the beginning of class,
leaving more time for lab work, problem sets, and group work. Teachers can help
struggling students while everyone else is working in groups and focusing on
each other rather than on the teacher. The weaknesses in this model have to do
with ensuring kids actually listen to lectures for homework, and the fact that
everyone is doing the same thing at the same time. Teachers don’t really know
if students are understanding concepts until they give tests at the end of the
unit (summative assessment). Enter iteration two: Flipped-Mastery.
Flipped-Mastery incorporates “testing” into daily activities
(formative assessment) so teachers can see how their students are doing before
the end of the unit. Khan Academy
exemplifies this model with the integration of analytics: teachers can see
which students are mastering the content, which are struggling, with what, and
then guide these students to accomplish different tasks based on their
understanding. Sams likens formative assessment to a GPS/SatNav system: when
you’re driving along in your car, the GPS/SatNav tells you when to turn right
or left, and when you miss a turn it “recalibrates” to find you a new route to
your intended destination. Formative assessment allows teachers to see the same
process, and redirect students who may have taken a wrong turn to get back on
the road to master the intended content. This is where real differentiation
comes in, allowing students to proceed at their own speeds: independent
learners thrive, there’s more time for collaboration, students can support each
other through peer-teaching, and teachers can interact with every student,
every class period. This also means that students can’t go on to the next stage
without a complete understanding of what they need, making sure they don’t get
shuffled along curriculum. Successive models of flipped learning incorporate
more autonomy for students, and shift the teacher’s role more towards
“activator” or “advanced learner” alongside the students.
Why Not?
So if flipping the classroom means more time for hands-on
activities, individualized attention for kids struggling with concepts, and
encouragement for more advanced students to push ahead, why the resistance from
teachers and parents to the approach? Some teachers have asked how to ensure that
students actually watch videos for homework; how did you previously motivate
students to do homework? Others
say that flipped learning isn’t the end, but rather a means to an end; what do
you think? If you have an opinion or experience you’d like to share about
flipped learning, please either comment below or send me an email at Melissa.Romaine@nesta.org.uk.
As part of the Digital Education team at Nesta, I'm researching the philosophy, practice, and technology behind "flipped learning." I'll be writing a series of posts in a blog on their site defining, discussing, and asking for questions regarding the practice. If you have an experience, opinion, or question about flipped learning, please share!
Wednesday, February 6, 2013
Not Lost, Just Using a Different Map
I went to a launch last
night, complete with a panel discussion, for a book about vocational education
policies worldwide. When I walked in (admittedly half-way through), the
discussion was dominated by talk of Japan's lost generation, the lack of
Japanese presence in other parts of Asia, and how one Japanese policy maker --
a friend of one of the panelists -- thinks that Japanese youths are apathetic
and don't have the drive to globalize the country.
I’ve heard this whole “lost generation” in Japan thing a
number of times, usually from Japanese politicians and experts. There are up to
1 million hikikomori or young
shut-ins across the country, unemployment among recent college graduates is
high, and yet something like 70% of recent college graduates have no desire to
live and work outside of the country (according to a study quoted by the Vice
President of Keio University at a panel discussion at the Japan Foundation in
London). But some of the most creative and
motivated young people I know are Japanese; the main difference is that they
live outside of Japan.
For example, one of
Burberry’s menswear designers is a 33 yr-old Japanese man who left his home at
16 and moved to London. Erickson Beamon has a successful jewellery designer who
was born and raised in Yokohama, then left for London at 27; some of her
products have been chosen by Prime Minister David Cameron’s wife for events
such as the royal wedding in 2011. Another Japanese woman, a daughter of a
family friend, left Tokyo at a young age to be a professional ballet dancer in
the Israel Ballet Company. I have a handful of friends who were educated in the
Japanese public school system, became fluent in English on their own, and went
to the US or UK for university. Most are now studying a third language (German,
Italian, Portuguese, Vietnamese, and Burmese) and working in insurance,
fashion, and international development around the world. Almost all are women
(a discussion point for another time, perhaps). Although all of their stories
are different, the common thread is that they left Japan in search of
opportunities.
Of course, this is an
extremely small sample; I mean, these are just my friends! But hearing
politicians and friends of politicians talk about how young Japanese people aren't motivated just drives me nuts. Blaming the generation does nothing; I
think the fact that there’s a “lost generation” in Japan says more about
institutional and de facto social policies than about young people in general.
Why didn't my friends stay in Japan where their families and friends are? What
does this say about the Japanese institutions that couldn't keep these amazing
people in their home country?
The panelist commented that
his policy-maker friend complains that not enough young Japanese are involved
in international development. The Ministry of Foreign Affairs runs JICA
(Japanese International Cooperation Agency), similar to the US Peace Corps,
where volunteers aged 20-39 live in communities in developing countries for 2
years working on a range of programs. I met two volunteers in Machala, Ecuador;
one was training car mechanics, and the other was working in the prenatal care
unit in a hospital. They were both in their early 30s, and said that although
JICA says you only have to be 20 years old to join, because you need to have a
trade skill and learn to speak the local language, most volunteers are a bit
older. I would imagine it’s very hard to convince people who are just getting
their careers off to the ground, perhaps starting families, to leave everything
and volunteer abroad for 2 years of
their lives. At that point, it’s not a resume builder like the Peace Corps is
in the States, but a resume disrupter. And the way Japanese society venerates
career-consistency and corporate samurais, it’s no wonder everyone isn't jumping at the opportunity. (Quick comparison: The Peace Corps currently has
8000+ volunteers, JICA has on average 900 volunteers per year; the Japanese
population is roughly ½ of that of the United States. )
I seem to have gotten a bit
off topic, but my point is that there are creative and motivated young Japanese
people who are products of the Japanese education system and culture as a
whole; many of them just don’t seem to stay in a country where either their
talents aren't recognized or they personally don’t fit in. Politicians who
complain about the “lost generation” but don’t do anything to engage more
people from within the Japanese population – creatives who don’t subscribe to
corporate samurai-ism, mixed-race Japanese, or internationally educated/raised
Japanese people – are just useless. And, I bet they’re wrong; I bet there are
tons of driven young people in Japan, who are trying their hardest to believe
in a country whose government doesn't even see them.
Sources:
Grisafe, M. (16 Nov 2012).
Can Culture Create Mental Disease? The Rise of Hikikomori in the Wake of
Economic Downturn in Japan. Mind the
Science Gap. 06 Feb 2013. http://www.mindthesciencegap.org/2012/11/16/can-culture-create-mental-disease-the-rise-of-hikikomori-in-the-wake-of-economic-downturn-in-japan/
JICA. (n.d.). JICA at a
Glance: JICA Activities in Numbers. JICA.
06 Feb 2013. https://docs.google.com/viewer?a=v&q=cache:5w25OcEhqm0J:www.jica.go.jp/english/publications/reports/annual/2012/c8h0vm00002qe6vj-att/glance.pdf+&hl=en&gl=uk&pid=bl&srcid=ADGEESivWz21295lsuCUskCxlGNmJAmQXtoxrBrdkUyjUaxkzC-qYAN9jFJRzmDHdizCR4ximE5bIOQxpmIKUo_t-56zxefzBak9QZMF_xMC-oZXkSRws0Gaqg3J4XqxegA0uWsibMX1&sig=AHIEtbTS2_XsiFIx26hUohItHdxn4SUYcw
Jones, Maggie. (15 Jan 2006).
Shutting Themselves In. The New York
Times. 06 Feb 2013. http://www.nytimes.com/2006/01/15/magazine/15japanese.html?pagewanted=all
Keio University, Office for
Global Initiatives. (08 Nov 2012). Lecture and Panel Discussion on
Globalization in Japanese Universities. Keio
University. 06 Feb 2013. http://www.ogi.keio.ac.jp/english/news/nfnjs800000003yj.html
Peace Corps. (30 Sep 2012).
Fast Facts. 06 Feb 2013. Peace Corps.
http://www.peacecorps.gov/about/fastfacts/
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